Getting DAWTA on its feet

Writing, performing and producing my first show has been one of the biggest gifts in my life so far. A massive undertaking, but so worth it. I have learnt many lessons, a key one is to ensure that you secure (pre-COVID) a substantial run of at least 1 week per location, preferably back-to-back. This will help you get critics, agents and directors to see your work. Here I am chatting to DAWTA’s director Hanna Lune ahead of my first night at The Old Red Lion, Islington, London (Feb 2020). Who knew what was around the corner…